I love new technology. Case and point. I was shooting a cooking show in Philadelphia and had to mix my FL-220's with a pair of Kino Flo's.

My Flolights seemed brighter and the barn door reflectors helped me further direct the light on to the set. Our setting was an outdoor courtyard, and with a constant slight breeze the Kino's had to be tended to because of their weight. My Flo's pack and transport better for a couple of different reasons. #1- they are more rigid and less fragile. #2- They have no external ballasts. #3- They are easier to move, stack and setup.

I need flexibility, and all of my camera, lighting and monitoring gear must fit into my Subaru. Some time the hardest part of my production day is getting gear in, setting up and tearing down. All of my Flolights ( and I have some of the original BIG round tube variety ) continue to perform flawlessly under some extreme conditions.

Not only are they a terrific lighting instrument but they've saved my wallet from that empty feeling after an equipment purchase.

Dave F.

Director of Photography

I use Flolights exclusively on "The Fretz Kitchen" television show.

Seen on Comcast every day at 5pm. Check out our website for clips from the
show at: http://www.fretzkitchen.com/